I feel like I ought to write something
inspired by the sucking tide,
By the escalator sea
That drains anxiety
And calms,
Smashing at stones.
We unsure foot
Over baby boulders and black sand.
A cloud hand whips away
To reveal the striking sun
Oven hot,
In-out waves.
Mother’s pulse
Washing away
Real life
So this is the way to write. Right. Sling
back 2 tiny coffees, face the sea, pick up a different pen in a different place
and begin. My mind is somewhat Paul-Austered and Woolfed and after being so
submerged in story, reality is surreal. Where is my narrative? What is our
plot? Poetry is possibly closer to reality unless you can capture like Virginia
that contradictory world of the inner.
Stones sting-tingle my feet. The waves beat
and catch and here is the delightful fright of the ice as they smack all at
once not just toes but thighs and the tops of shorts are soggy but the sun will
soon remedy that and if I plunge further that cold will be become cleansing,
reviving, aliving and for a little piece of time we are happy animals, in our
element. Don’t let my magic sands run out without enjoying them.
And by the wilderness of the sea
A neat square of swimming pool
Chlorine clean
Sunlit meshing on the bottom
Goggle clear
Monster cliffs crag out of the sea, layers of time
exposed for all to see, ancient, mock eternal. Humans are just hiccups, an
irritating parasite to these rock people. Down on the shore the discarded ear
of an iron man. Lovingly rusted to orange, red, brown, purple – a wondrous weathering
we too emulate, splashing on lotion but desiring a darkening, our skin to
contrast with this white heat. The pebbles are volcanic, some are holed like
skulls, and the bleached bones of old trees run along the high tide line.
And back-dropping this is the carousel of the
Ramsey’s dinner party.
Here, my pens sings along the page and my mind is
full of words and perhaps poetry is more honest than prose. The swimming pool
is a bitten square, the vents at the bottom make a cubist Mickey Mouse head. I should
read the excellent introduction to ‘To the Lighthouse’. I am loathe to read the
excellent introduction to ‘To the Lighthouse.’ I read it and it is excellent,
the introduction to ‘To the Lighthouse.’ And another wave smashes down and
sucks away and it feels like we will live forever lying here in the sun (in the
sun) but we are as ants or the little lizards that shelter in the shade of the
lip of the pool.
A man in white shorts comes and sellotapes fresh
black bags into the bins. He stretches tape out, he takes his time,
skreeeuuutch, skreeuuutch. He is a methodical man in white, the bins his
charges, their gaping mouths wait to be taped, for us to throw our apple
cores into. One time I found a bin full of lizards with a little niece and we emptied
it and rescued many little critters who had been feasting on fruit but now fed
were trapped, an unfortunate fate for a carefree creature, me and my little
niece agreed. Of course we were reprimanded, what are you doing knocking over
bins and poking through rubbish and unleashing a hundred lizards (or was it
55?) but we both knew we had done good. Complicit, and she was protected from
punishment because I am an adult, that eccentric auntie, hang out with me and
they can’t complain, just roll their eyes and smile and say don’t poke through
bins, its unsanitary, disgusting, but we say, Free the Lizards!
The tables are sea and salt scarred, bright copper
streaks through grey, through black. My drink is cold and fizzing and why is
lager nice in hot countries whereas at home I sneer at this beer and stick to
ale. The same holiday philosophy that allows me to sit in floral hotpants in a
public bar and R dons his Arthur J Prufrocks and the sea still licks our
souls. I’m afraid we live in the wrong place, it may be pretty but when salt
and sky and ocean enter you however can you live inland. In Land. On
Land. But when I had the sea I hankered for trees and now I have trees I hanker
for the Downs and Happy Valley and bluebells and beeches and funghi and orchids
and the land to fold in that particular pattern. Contrary. Always going back,
it’s a sickness. So much better to be in the present. Not to waste life in the
Not here. Well to allow myself to waste some time in books and dreams and
discussion but better to breathe the being, the time in between thoughts. And a
fly keeps landing on the same spot on my shoulder and how did I become older
that the tops of my arms are bubbling, softening – a living decay has begun. On
my face for some time and I am resigned to that, but here is a new bit I must
kiss goodbye and still I sit in otherwhere, other here, proud in
hotpants.
Goodbye Mrs Ramsey, although you die on page 140,
you are immortal, captured forever from 1 to 139.
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